Last night I went to an event as part of Victoria Literary festival. I had never heard Gregory Scofield read and I have yet to read any of his books. Last night he gave a reading of his long poem, Muskrat Woman, about MMIW and it was really compelling. It’s such a great reminder that when writers can also read really well, the audience is silent and they are right there, present, in the belly of the delivery and changed in some slight way afterwards.
I was introduced to Zoe Whittall through her readings. She’s another writer who, I’m sorry to admit, I’ve never read or even heard of. I’m impressed that she can write for some of CBC’s really successful shows such as Baroness von Sketch, Schitt’s Creek and still have the ability to go back to her own personal writing. And of course, I’d seen/heard Patrick Lane read. The last time was a long time ago when his book, There is a Season, came out. It was at the Sechelt Writer’s Festival. What year was that?
I’d only seen Lorna Crozier read at the introductory Growing Room Festival last spring or whenever that was. But to see them together, and the banter between them, was pretty entertaining. I think I know who wears the pants in that family and it isn’t Patrick Lane. But I’m sure, in reality, it’s very give and take. They just seem like the kind of people you’d love to be able to linger around a dinner table with. The evening was quite wonderful.
As a newcomer to Victoria, I got a real sense of the strength of the writing community here just from attending that one event. And it was clear, even with Esi Edugyan facilitating the conversation, that this pair have had a hand in the careers of so many writers who have gone through the UVic Creative Writing program. It was like witnessing a family reunion or something.
It also made me think that anyone ranting on about the history of CanLit and its white roots, should just get over themselves because these are the people who historically made things happen. Like anything, evolution is a part of that, and the transformation is happening right now as it should be. It’s because of that foundation that a Canadian literature even exists even if it isn’t yet as representative of all realties in the country as it needs to be.
As I sat waiting for the event to begin, I was eavesdropping on the conversation behind me, well, not really eavesdropping so much as not being able to avoid overhearing it. It was that somewhat excruciating navel-gazing about a personal writing process that as writers we’re all so familiar with, especially if you’ve been involved in any kind of workshopping. I feel so done with that. I just feel the need to find the time to focus on my own writing and it’s pretty clear to me that I just need to show up for that and there’s no need to discuss anything really. I know that might sound harsh but it feels like that phase is over. Let’s not get all precious about putting some words on a page or the process. As Patrick Lane so perfectly described it. “I’ll sometimes write a sentence that I really love and get really excited about that, until I realize, Oh fuck, I need to write an entire paragraph.” And then keep doing that over and over. Again and again.
I’m not saying I wouldn’t love to have just one person who I could rely on to be a reader of my stuff to give me feedback, someone whose opinion I trusted and who actually would give me feedback when they said they were going to. Someone who understood the process, especially when it comes to first drafts, but that’s so hard to find unless you pay someone, or they’re in your life as a partner and into literary things or you just luck out. Not having that is a real lacking for me in so many ways, much more important ways, of course, than just writing feedback.
I also met a young woman who was working for a new self-assisted publishing company (I found that terminology interesting) called TellWell Talent. She is the digital media marketing person for them and we talked about how a lot of authors these days are choosing to self publish because of the control it gives them, the ability to get things done more quickly than traditional publishing and to market the book as effectively, if not more so.
In my books, that all counts as a very satisfying evening.