I spent most of this past weekend at the Powell Street Festival which has got to be one of the best entertainment deals in Vancouver taking place at Oppenheimer Park and the streets around it with events at the Firehall Arts Centre, the Japanese Language School, and the Vancouver Buddhist Temple.
This area was home to the largest concentration of Japanese people in Vancouver prior to WWII before they were banished from the West Coast in Canada and the U.S. as a result of Japan’s bombing of Pearl Harbour and a build up, prior to that, of racism and fear-mongering.
I had to get my little fix of Takoyaki (Osaka Balls), those tasty street vendor treats that instead of the traditional style which are filled with octopus, these are filled with shrimp and scallops, a creamy middle with a crunchy deep-fried outer and with fish shavings on top. I stayed traditional but you can get the wasabi version or with mayo.
So many interesting offerings at The Firehall Arts Centre. We were introduced to a HAPA comic from L.A., Katie Malia and her Almost Asian vignettes which are being picked up by Netflix in the near future.
Listened to Dr. Asato Ikeda from Japan talk about a Third Gender in early modern Japan, a spin off from an exhibit at the ROM in 2016 A Third Gender: Beautiful Youths in Japanese prints. Descriptions of wakashu or boys between the ages of 12-18 who fulfilled the pleasures of men and women and how to hear about that part of cultural history in Japan without imposing contemporary North American values on that part of Japanese history which has been kept under wraps mostly because, if I understood the speaker correctly, of how it fits into the Kabuki theatre in the Edo period. Since Kabuki has been designated the official theatre of Japan, there’s a reluctance to acknowledge the roots of it in this expression of sexuality. Super interesting!
Introduced to two men (both Gaijin or caucasian) Jay Rubin and Ted Goossen, Americans who are elders in the translation of Japanese literature. They spoke about the novelist Haruki Murakami and mostly that stood out for me because it’s always amazing to me how some people just fall into their professions without any effort on their part and that becomes their entire life.
Admired that Joy Kogawa who is looking very fit and in her eighties was open to participating in an experimental performance that included her poetry, a young Hapa poet Soramaru Takayama and a wonderful mime (whose name I can’t find, unfortunately) as part of a 20 minute performance.
Listened to a wonderful shakuhachi player who resides on the Sunshine Coast. Alcvin Ryuzen Ramos, is one of the leading teachers and performers of the shakuhachi in North America who teaches at the Bamboo-In Retreat Centre. His performance was exquisite and a rare treat. I love the breathy, haunting sounds of the shakuhachi, an instrument that may be the hardest instrument to learn taking years of mentorship and practice.
And of course George and Noriko, a crowd favourite. He’s known as the Japanese cowboy and she’s the Tsugaru shamisen player. Together they have a fun and unique sound.
Taiko. Walking tours. Ikebana. Martial Arts. My god. It’s a veritable trip to Japan without the hell of the long flight.
Must do a shout out to Leanne Dunic (seated in photo) who led the curation in her first year as the new artistic director. It’s been a busy year for her. She’s a writer, singer and multi-instrumentalist who plays with the band The Deep Cove. Her book To Love the Coming End published by Chin Music Press was released this year as well. The weekend was awesome and it didn’t cost a dime. The only thing wrong with it was that I didn’t win the trip to Japan for two or dinner for six put on by Hapa Izakaya restaurant chefs.